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  • Post 365.

    One year in. Still going strong.
    I should probably write something deep and meaningful shouldn’t I? You know…. to mark the occasion.
    Love one another.

    No.
    That’s already taken.

    I have a dream?

    Again. Good. Very good, but done.

    I guess what I would like to say is you are perfectly capable of achieving whatever you want to achieve as long as you stay set on it as being your goal. If you stray it becomes harder but you can steer back to the path.
    Think of what it is you want to do, and head for it. It’s your patronus.

  • David Bowie – The Stars (Are Out Tonight)

    I woke up this morning to a new David Bowie song. It’s sort of like Christmas in that you’re too tired to really comprehend the gift at your feet. I’ve listened to it twice now, waiting for it to sink in.
    The problem I have with David Bowie’s return is history. I grew up listening to Hunky Dory and Aladdin Sane. The versions that play on a loop in my head have the crackles in place where the vinyl catches. They’re a part of how I grew up and they are extremely important to me. Someone coming in and attempting to change that legacy is difficult, even when it is David Bowie. That’s how I feel about The Stars.

    The video is exactly what you would expect from Bowie. He had to find someone as androgynous and awesome as himself to play his wife, and Tilda Swinton fits the part. I also like the idea of Bowie going into his local shop and saying “hump day”. It has an air of Smashing Pumpkins about the effects in it but maybe that is just me.

    My problem with the song is it sounds like Bowie is shouting over the top of the band. It’s so close to being spectacular yet there is that going on. For a guy well in his sixties though, look at him go. I’ll be buying the new album.

  • BBC Introducing.

    Last night I uploaded two songs from my new EP to BBC Introducing.
    I honestly think they’re the best thing I’ve written in a long time and I can’t sit back and just let me and mine be the only people who hear them.
    It might not amount to anything but I’ve got to try right?
    The fact is my music is a lot better than most stuff on the radio. That isn’t even me being big headed, stuff on the radio is shit. I am better than shit. Fact.

    All it will take is one of my attempts to crack through and everything will follow alongside. If my book sells then I throw in my music, and visa versa. I will always write and I will always record and the idea of earning a modest living doing those things is the biggest of my dreams.

  • Her friends.

    I spent the entire weekend with my girlfriend and her friends. Two years ago I didn’t know them and the thought of meeting them and spending time with them filled me with fear. I knew how close they all were, and how protective over Kate they are, and rightly so.

    Being with them Saturday/Sunday made me feel part of the gang (aside from the constant Les Mis song drops).
    At one point on Saturday evening one of them grabbed me and told me how happy he was for me and Kate and how good we are together and it’s something I will never forget, despite not being able to remember more than five songs played during the four hours we were in the club.

    I mention this now to anyone due to meet their girlfriend’s friends, or indeed family because it soon becomes the most natural thing in the world if it is right. I’m lucky.

  • Dan Collier is my power animal.

    2am.
    Ext.
    Misc. Brighton nightclub.
    Daniel Collier sings as much Les Mis as he can remember off the top of his head with a cigarette hanging out of his mouth.
    Each time I go to head inside he stops me and belts something about bread and courgettes in my face.
    Beside him debutante and socialite R-Macs stands shivering, having misplaced her glitterball suit jacket.
    Inside Tom Hullyer dances in a way in which his soul is completely exposed.

    Later that evening/morning Daniel Collier will be unable to finish his cheesy chips and burger sauce. It will be his undoing.

  • Brighton weekend.

    I’ve just got home.
    I feel cold and dirty.
    I spent the weekend in Brighton with my girlfriend and her friends. It was John’s birthday so we went to an eighties night at a club. I have an awful hangover today. We were out until about four, got kicked out the hotel before twelve and spent the afternoon feeling sorry for ourselves at John’s flat.

    Last night was fun. We drunk a bottle of Sailor Jerry’s before we left the house and tried to play Roxanne but there were no speakers for the laptop to play the song loud enough.
    I can’t remember the name of the club. That’s how wasted I was. We danced about to Bowie, Eurythmics and Michael Jackson and Kate took a lot of photos.

    It was a nice reminder of how I once spent my weekends as a student, and indeed how I spent my weeks. It’s a phase in my life I enjoyed thoroughly but have concluded I am well and truly beyond. I don’t like the way things sit on my rain when I am hungover. It isn’t right. I can’t concentrate.
    I miss the free time of being a student, the mystery that came into being each morning.
    I don’t miss the poor diet, lack of
    sleep and negative bank balance.
    I don’t have a lot now but it’s my own.

  • My first premiere.

    Technically not my first premiere.
    I went to the premiere of a film I co-wrote in 2010. I don’t remember a lot of it. Apparently I threw popcorn in people’s hair.
    My first premiere I can remember was last night. I went to see Comedown, the new film by Menhaj Huda of Kidulthood and Adulthood fame. The film stars Jacob Anderson, Geoff Bell and Adam Deacon and is an ‘urban’ horror film about a tenant who stalks around an abandoned tower block in East London killing mischievous youts.

    It’s enjoyable, and has some impressive looking death scenes but won’t be a threat at the Oscars. It’s a nice little twist on something we see enough of in modern horror. The fact it was set in the all to familiar and ominous high rise added something. Even as I left the venue I expected to see it on the horizon.

    The young cast do well to build the tension and Jacob Anderson looks set to be the next name to emerge from the scene. He handles the lead role of Lloyd well, being almost the only likeable character in the whole film. Geoff Bell is also worthy as the tenant, despite his Creep like screams towards the end.

    It’s out on DVD on March 11, and should do quite well considering it’s backing. It was a good evening, an excellent chance to catch up with some old friends and a glimpse into the glitz and glamour of it all.
    I’m kidding, you get me blud?!

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  • The Birthday EP.

    My new EP is now available to download for free through BandCamp.
    Click here.
    Select Buy Now.

    I know I’m probably never going to make a lot of money making music. That’s not why I do it. That’s not why I recorded this EP. All I want is for people to listen to what I’m doing. That’s why it is up for free. Just listen to it and let me know what you think.
    If you like it then pass it on to your friends.

    It’s the first completely acoustic EP I think I have ever released. I know there are certain people who will dispute that comment but the 10D Demos don’t really count as a release Jocasta.
    I just wanted the whole thing to sound very natural so headed to the excellent Broom Cupboard recording studio. Rees knew exactly what I was after and set up a number of microphones to capture live performances of the seven songs that make up the EP.
    At least three of them are first takes as well. I hate having to go back over anything I have done so what you get is what I was aiming for when I first sat down.

    I wanted to thank the people who have provided feedback so far. Kate. Terri. Lottie. Sam. You’re awesome.

    If you head over to my Bandcamp page you’ll also find my previous two EPs; Get Me To Marrakech and Karma Before The Storm. These are also free to download. GMTM was recorded in September 2012 at home and KBTS was recorded with Rees at the Broom Cupboard.

    THE BIRTHDAY EP
    Track listing
    1. I Wish.
    2. House Of Cards.
    3. Broken Record Love Song.
    4. The Devil.
    5. Let’s Go Back.
    6. Coming Down.
    7. Tell Me Your Secrets.

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  • Brit Awards 2013.

    Last night I tried to avoid the Brit Awards. I did so on principle. There’s no justice in it. I’ve discovered people have no taste. People got Cameron in power. People question the almighty power of the Peanut Butter KitKat. People are idiots.
    Last night I was trying to do some freelance work but stay pithy on Twitter and I had to resort to Brits chat. The Brit Awards haven’t been important to me since 1997 when I bought the Brit Awards ’97 compilation album. I believe Chumbawumba were on it.
    I couldn’t help but be drawn into it all again. There were so many sparkly things and people thanking ‘god’ I was pulled like a moth to a flame.
    The important thing to remember about the Brit Award is none of it matters we are all going to die.

    Looking at the compiled winners list it wasn’t too terrible. There’s always been a lack of authenticity to The Brits. Didn’t 5ive once perform We Will Rock You at The Brits?
    Ben Howard is a well deserved winner. To do what he does and pull in a large enough league of supporters to topple the pop-heavy nominees is a feat in itself. I was reminded of when Bon Iver won two Grammy awards in 2011 (or possibly ’12) for their brilliant second album and nobody seemed to know who they were. I believe Who IsBonnie Bear was trending on Twitter.

    As much as people gripe about Mumford & Sons you can guarantee they’ll be dragging their friends through the dirt at festival season, spilling Tuborg down themselves and screaming the words to Little Lion Man in stranger’s ears so why shouldn’t they win best British group? The fact they aren’t the best British group has little to do with anything at The Brits.

    Coldplay’s innovative use of flashing wristbands has caused a bigger stir than it did during the ‘new rave’ summer of ’07 seemingly, because they won best live band.
    To be able to carry on making music when everyone claims they hate you is something to be admired in a way. Until the people topple the brass statue of Chris Martin in West London and start pelting it with sandals and hummus I think we will have to put up with the fact they exist.

    Adele deserves best British single for Skyfall. I can’t even think of another single. How can you have a best single without Woolworths selling them? I smell a conspiracy!

    War Child winning Special Recognition is right and true. The work they do is absolutely incredible and the support they have from artists and the public is heartwarming.

    Last night on Twitter I heard people griping about One Direction winning Best Global Success. I can’t understand why. They appear to have taken America (and Taylor Swift’s hymen) by storm.
    The key here is they are doing very well.
    Will they be about in a decade?
    Yes, but as talking heads on another series of The Big Reunion.
    The important thing to remember is while they are in America, they aren’t here. They sure as hell can’t Apparate. Muggles.

    Lana Del Ray won International Female Solo Artist based on the fact she’s not British and is technically a female. Well done Lana. Back to the cave.

    Black Keys won best International band?!
    Wow.
    Well done public. You have done something right. I forgive you for the KitKat thing.

    Frank Ocean (not the son of Billy or Atlantic) for International Male. Yeah. Good call again Britain. Put the kettle on you little sod.

    Emeli Sandé with best album….
    …
    Nope.
    I tried.
    I have no jokes for this.

    That’s it. That was The Brit awards. There’s a massive build up and then we are left sobbing, wiping ourselves down with a Kleenex and wondering if we are going to hell.

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  • Running on empty.

    This is one of those rare mornings where there is absolutely nothing pending, nothing sat on my mind ready to spill out. Ironically just two days ago I was telling someone who wants to write how writing a blog is an excellent start. It opens you up to the idea it doesn’t matter what you write as long as you are writing. It’s an exercise. The stories will come later.

    I need a decent night’s sleep to recharge my batteries. It isn’t any one thing in particular, just the last week. I haven’t eaten a home cooked meal in two weeks. I’ve just been surviving on the mushrooms in my hair.
    (Black Book joke there for the fans).

    I’ll be better tomorrow, I promise.

Paul Schiernecker

I'm Paul Schiernecker, who the hell are you?

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